Minerva is deliberately placed on uneven, rocky, unsafe ground symbolizing the condition of our world past and present. Her movement is both defensive and offensive as she engages. The shield of the Great Seal of the United States is in her right hand, the 13 stripes on the shield represents
COMMISSION: Gloria Whitton Heath Award In 2021, I received a lovely email from Deborah Kirkman, the Director of Advanced Aviation for the Flight Safety Foundation. Debbie had seen my work and wondered if I might be interested in creating a sculpture for the Foundation. She then proceeded to share Gloria
FLY GIRL: the Divine Feminine Takes to the Air I realized early on in my sculpting practice that I am happiest creating pieces that speak to the Divine Feminine. Among the powerful women figures who have inspired me are the gutsy Fly Girls of the early 20th century. Air Racing,
What drives someone to climb into the cockpit of a flying death trap to test dangerous aircraft that most men were afraid to fly?
Known by the Gestapo as “the most dangerous of Allied spies”, this formidable “limping lady” and “woman of no importance” was unknown by her real name: Virginia Hall.
Who doesn’t love the story of The Nutcracker ballet? The inspiration for Clara comes from one of my earliest and fondest childhood memories.
The inspiration for Henry is the result of hours spent researching 1950’s fashion.
For a few weeks, I had wracked my brain trying to decide what my next sculpture should be. This part of the creative process is more difficult than one would imagine. For a sculpture to be successful it must have both motion and emotion. This is vital because sculpture, unlike
Iron Backbone was finished and the photoshoot was in the can. Just when I thought “everything is just as it should be,” I walked into the studio, and lo and behold Raleigh Joe Hamilton, the third rail worker was collapsing! He literally was in the process of breaking in half
It all started on a Friday evening about two years ago. My dear sister-in-law Marla and I were sitting at the island in my kitchen having a glass of wine discussing the goings-on of the week. I noticed that she was more animated than usual and wondered what was going
Minerva is deliberately placed on uneven, rocky, unsafe ground symbolizing the condition of our world past and present. Her movement
COMMISSION: Gloria Whitton Heath Award In 2021, I received a lovely email from Deborah Kirkman, the Director of Advanced Aviation
FLY GIRL: the Divine Feminine Takes to the Air I realized early on in my sculpting practice that I am
What drives someone to climb into the cockpit of a flying death trap to test dangerous aircraft that most men were afraid to fly?
Known by the Gestapo as “the most dangerous of Allied spies”, this formidable “limping lady” and “woman of no importance” was unknown by her real name: Virginia Hall.
Who doesn’t love the story of The Nutcracker ballet? The inspiration for Clara comes from one of my earliest and fondest childhood memories.
The inspiration for Henry is the result of hours spent researching 1950’s fashion.
For a few weeks, I had wracked my brain trying to decide what my next sculpture should be. This part
Iron Backbone was finished and the photoshoot was in the can. Just when I thought “everything is just as it
It all started on a Friday evening about two years ago. My dear sister-in-law Marla and I were sitting at
Minerva is deliberately placed on uneven, rocky, unsafe ground symbolizing the condition of our world past and present. Her movement
COMMISSION: Gloria Whitton Heath Award In 2021, I received a lovely email from Deborah Kirkman, the Director of Advanced Aviation
FLY GIRL: the Divine Feminine Takes to the Air I realized early on in my sculpting practice that I am
What drives someone to climb into the cockpit of a flying death trap to test dangerous aircraft that most men were afraid to fly?
Known by the Gestapo as “the most dangerous of Allied spies”, this formidable “limping lady” and “woman of no importance” was unknown by her real name: Virginia Hall.
Who doesn’t love the story of The Nutcracker ballet? The inspiration for Clara comes from one of my earliest and fondest childhood memories.
The inspiration for Henry is the result of hours spent researching 1950’s fashion.
For a few weeks, I had wracked my brain trying to decide what my next sculpture should be. This part
Iron Backbone was finished and the photoshoot was in the can. Just when I thought “everything is just as it
It all started on a Friday evening about two years ago. My dear sister-in-law Marla and I were sitting at